BUYI
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Crack
Yiyi | 22 pages | 2023 | 210×297mm
Crack is a fiction, but the crack is real. As a child I could see blazing sunlight and verdant plants through it. But the fact that the back of the wall was another room doesn't explain the wonderful vision that was seen. So I’ve kept it a secret, one of the few preschool events I remember.
The best thing children are good at is observation and imagination, which can also be described as being in and out of the mind. Time seemed abundant in those days. I could spend hours looking at water stains, wood grains, crumbling walls and shifting clouds, conjuring them up into various images and storylines, utterly aimless. since childhood I often lost things and have no idea what happened, all because I was too “distracted” and “attracted”. I can think of countless objects that have disappeared in inexplicable ways, so I let them lie in my pantheon. As I grew up, I became more organised and rarely lost things anymore, but I miss the state I was in then.
裂缝
一一 | 22页 | 2023 | 210×297mm
《裂缝》是虚构的故事，但裂缝真实存在。幼年时透过它，能看见炽热的阳光和青翠的植物。但事实上墙体背面是另一个房间，这无法解释看到的美妙景象，所以我一直把这件事当成秘密，是我记得为数不多的学龄前事件之一。
童年最擅长的是观察与想象，也可以说是入神和出神。那时候有大把的时间需要打发，对着水渍、木纹、残墙、云朵看上半天，将它们幻化成各种图像和故事情节，真是百无聊赖。因为过于“出神”和“心无旁骛”，小时候就经常丢东西，并对此毫无头绪，我能想起莫名消失的物件就不胜枚举，就让它们躺在我的万神殿里吧。长大后事事关照，自然很少再丢东西了，却很怀念那时的状态。
一一 | 22页 | 2023 | 210×297mm
《裂缝》是虚构的故事，但裂缝真实存在。幼年时透过它，能看见炽热的阳光和青翠的植物。但事实上墙体背面是另一个房间，这无法解释看到的美妙景象，所以我一直把这件事当成秘密，是我记得为数不多的学龄前事件之一。
童年最擅长的是观察与想象，也可以说是入神和出神。那时候有大把的时间需要打发，对着水渍、木纹、残墙、云朵看上半天，将它们幻化成各种图像和故事情节，真是百无聊赖。因为过于“出神”和“心无旁骛”，小时候就经常丢东西，并对此毫无头绪，我能想起莫名消失的物件就不胜枚举，就让它们躺在我的万神殿里吧。长大后事事关照，自然很少再丢东西了，却很怀念那时的状态。